
Image: Re-Opening Old Goole WMC April 28th 1966 - Esme Taylor Far Left
Cinemas, Theatres and Clubs - Chapter 3
The nineteenth-century industrialisation saw the growth of towns and cities populated by working class men and women. As part of the paternalistic culture of the period, facilities were often developed in industrial areas to cater for the educational, social and recreational needs of local workers. These clubs were founded by employers providing facilities for their workers and by affiliated Trade Unions. What evolved was the Working Men’s Clubs with a strong association with northern culture. The clubs often included bars, concert rooms, billiards halls and educational facilities.
Members of the clubs paid an annual subscription to use the facilities. Across the north of England in the 1950s and into the 1960s, a network of clubs evolved. These clubs put on entertainment for their members and became famous for their social evenings. A typical night would often include bingo, raffles, live music and a star turn.
Throughout the 1960s and into the 1970s the clubs were highly popular, and you had to arrive early to make sure you got a seat. The acts were booked via the Club Concert Secretary (Mr ‘Wally’ Brigham’ at the Crescent) and paid in part by the beer sales for the evening. To succeed as a ‘turn’ at a club you had to be able to handle a crowd as the audience made their thoughts known with boos or claps. If you weren’t good enough in your first slot you didn’t come on again and you didn’t get paid!
A Working Men’s Club was established in the town before the First World War. In February 1929 a concert hall was added to the building for the use of ‘concerts, social events, whist drives and dances’. By the 1960s the building had become the ‘Crescent Club’ and one of the leading social venues of the town. The club was run by Secretary Mr Jim Piper and usually had a performance on a Friday, Saturday, and Sunday evening. The types of performers included vocalists, comedians, bands and novelty performers. The venue was also a place for snooker and bingo.
The club had its regulars and affiliated members would have automatic entry to most of the Working Men’s Clubs across Yorkshire. Regulars also had their usual seats and stares would be received by those who sat in the wrong place. Mike Walker was one of the regulars of the Crescent and had his own tankard on display behind the bar. Bingo was also a popular pastime, with ‘shooshes’ given if you spoke when a game was being held and ‘hmms’ given if you won more than once (recollections of my mum).
The BRSA (pronounced as ‘Brassa’) was purpose-built as a billiards Hall in 1922. It later became the British Railway Social Association Club during the 1950s and developed into another of Goole’s leading entertainment venues. The annual subscription was under £5 with general entry for non-members. Performers were usually booked for a Friday and Saturday night and the club had a resident organist.
During the 1970s and 1980s, the new estate pub The Vikings became the music venue of choice for the town. The pub was a popular venue for the big bands of the period and was run by Doncaster Top Rank DJ Ray Nortrop.
For many, the decline of the club is associated with the introduction of fees to see acts. This started in the mid-1970s when you had to pay entry for the New Year’s Eve events. By the late 1970s, fewer acts were being booked for mid-week performances and the acts were starting to ask for bigger fees, resulting in having to pay on the door. Regular members questioned having to pay for entry to see the acts and attendance figures dropped.
The 1970s and 1980s also saw a change in northern working-class culture with many of the industries associated with the clubs closing or in decline and losing their associated client base. By the mid-1980s Working Men’s clubs were out of fashion, and the younger generation instead favoured discos and nightclubs for their nightly entertainment.